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  • Author

    Peter Wood

  • Photography

    James Green

In a laneway location that gives nothing away, the city dissolves just beyond the threshold.

Moving into this home, the atmosphere shifts entirely: sandstone, greenery, filtered light. It’s not simply a home, but an environment - layered, immersive, and entirely unexpected.

Originally two Rozelle cottages from the 1850s and early 1900s, the space has been drawn together into a singular architectural composition by Stephen Sainsbury. The result is neither old nor new, but a confident interplay between the two - heritage forms held intact, intersected by a contemporary language of exposed aluminium, voids and light.

With owners Camilla and Josh returning to Australia after 15 years in Manhattan, the brief was clear: create a place to retreat, to slow down, to live expansively within a concise footprint. Across 257sqm of land and approximately 172sqm internally, the home maximises its rare 18m double frontage and northeast aspect, drawing in light from all sides.

“We stepped through the gate and there was magic,” Camilla says. “A romantic feeling entering from an unmarked lane into a hidden garden oasis… such a contrast to the cement and hustle of NYC.”

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The architectural response is both deliberate and expressive. “Sainsbury is known for his use of exposed and curved aluminium structure,” Josh says. “This provided a lightweight modern contrast to the original hardwood timbers and sandstone. The old butts up to the new in a clean, contemporary way - they meet, say hello and tip their hat.”

That junction is where the home finds its identity, remaining tactile and grounded, with the newer interventions introducing height, flow and connection. A linkway binds the two cottages, while a second-storey addition creates a private master retreat - elevated, light-filled and quietly removed.

“We enjoy the warmth of raw, natural and tactile materials,” Camilla says. “Rough hewn granite, Blackbutt timbers sealed with oils, patinated copper, anodised aluminium, exposed sandstone.” The palette is restrained, but richly layered - less about contrast, more about cohesion and feel.

Life within the home unfolds in zones, each with its own rhythm. The reimagined ‘Barn’ - relocated to site long before their time - now accommodates bedrooms across two levels, evolving alongside the needs of their children. The original cottage has been opened to form a generous communal core, where living, dining and kitchen spaces converge. “We come together there to talk, eat and celebrate life,” Josh says.

Above, the master suite introduces a quieter cadence. Sliding Japanese-inspired doors allow the circular bathroom and bedroom to connect or separate, with an outdoor deck extending the experience. “It’s a retreat for two lucky people,” Camilla says. “Perfect after a bath or enjoying morning coffee with blue sky and the backdrop of White Bay.”

fireplace

Yet it’s outside where the home takes on its most transportive quality. A lush tropical garden wraps the residence, anchored by a heated Onsen-style spa that draws the eye upward - to sky, to light, to passing clouds. “It’s a setting that celebrates the sky, the sun, the stars almost every day,” Josh says.

That interplay between inside and out is constant, deliberate. Living spaces open fluidly to the garden, dissolving boundaries and encouraging a year-round engagement with the outdoors. “Inside/out living is so important to the Sydney lifestyle,” Camilla says. “Family and friends love this element.”

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Despite its proximity to the city, the sense of seclusion is absolute. “Although we are in Rozelle’s valley, you don’t know where you are,” Josh says. And perhaps that’s the point - not to escape entirely, but to create a place that feels removed, even when it isn’t.

After years here, what lingers most is less tangible. “Sense of place,” Camilla says. “Here, you are without the feeling of having to be somewhere else.”

In a city known for perpetual movement, that kind of stillness is rare.

View the listing: 5 Moore Lane, Rozelle

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